Original Paintings

2nd Season of 12 paintings

Acrylic paint: Colours and Black & White

Canvas dimensions 19 x 27 inches (50 x 70 cm)

Trees whispering 

Can you hear the trees whispering to one another? No? That’s because most of their conversations happen underground—root to root, in silence.

Tonight, the SA3 possum trap is set... And the tree knows. That’s a story waiting to be told.

 

 

Collecting pipies

Pull on your gumboots, grab a shovel and a bucket—it’s time to hunt for treasure hidden beneath the sand: pipi shells!

But watch out—these shores may be guarded...

According to Māori legend, Hinenui-te-Pō, the goddess of death, unleashed the sandflies—known as Te namu, the mischievous “little devils” of the coast.

 

Aïkido feather fall

Aikido master Morihei Ueshiba instructs his apprentice in the backward feather fall.

For an instant, the uke seems to hover—suspended between earth and sky.

That fleeting moment is illuminated by a shaft of light streaming through the wooden-framed windows, the shimmering play of brightness and shadow the Japanese call komorebi.

 

Top of Ohariki

Reaching the summit of Ohakiri (Saint Paul's rock) rewards you with a breathtaking view of the Whangaroa Inlet.
The height is exhilarating, giving you a sense of freedom—almost as if you were soaring through the air like a bird.
Golden finches flit gracefully nearby, their vibrant plumage blending beautifully into the landscape.
You may also spot Mynas, a more assertive species known for competing with native birds for resources.

 

SOLD

Tooth Malaysian Tigers

The relationship between humans and animals can be complicated—but sometimes, all it takes is a little courage 🙃 My dentist loved it immediately! 🥹🙏

 

Pigeon bay finish line

The boat regatta traced a course from Littleton Harbour to Pigeon Bay. With hardly a breath of wind, it felt like an eternity before we finally crossed the finish line. Spinnakers bloomed across the fleet as everyone tried to harness the faintest whisper of breeze. The inland channel stretched endlessly ahead, making the final leg feel even longer.

In this painting, a drone provides a unique aerial perspective—but at times, I find their presence a bit intrusive.

 

The blues

Creatures from the deep blue ocean are beautiful: translucent, fluorescent, and... on the lookout for a new see-through friend?

Through the pines

New Zealand is undergoing significant and relentless deforestation. Expansive commercial pine plantations are further encroaching on the remnants of the ancient native forest. Now, I glimpse at what remains of the original wilderness through prison bars fashioned from rows and rows of pine trees.

If only we could all recognise the treasure this ancient forest truly is, then we could set it free.

 

My bees

Bees are vital to our ecosystems, but bee populations around the world are declining at an alarming rate. Small-scale, local beekeeping may offer a path forward, yet even these efforts face serious challenges. Varroa mites are devastating hives everywhere, and the use of chemicals to control their population is not ideal for the environment and becomes ineffective over time.

I am a beekeeper, and I am perplexed.

 

First season of 12 paintings

Acrylic paint: Colours and Black & White

Canvas dimensions 19 x 27 inches (50 x 70 cm)

Magical apples

As I shop for groceries, I find myself longing for a different way to get my fruits and vegetables.

I dream of wandering through a food forest, my heart filled with a child’s joy, simply picking what I need for the day.

 

Elemental origins

This painting centers on the four elements—fire, earth, wind, and water—whose combined forces give rise to life: grass, mushrooms, and insects. Despite the encroachment of roads and buildings, life endures and sometimes finds a way to thrive.

 

SOLD

Meteor shower

As a meteor shower streaks across the night sky, people gather to admire the spectacle. Yet a few remain tethered to their glowing screens, likely watching the event unfold through social media, missing the true beauty around them.

 

Nature of mankind

Before the demolition and the rebuilding begins, all is still.

Like a sentinel, a thousand-year-old tree watches over the city block, silently bearing witness to the fleeting nature of mankind.

 

SOLD

Kiwi Wiwi

This painting cuts through the unimaginable ways GMOs can affect our everyday lives, prompting us to reflect on what we find on the shelves of our local stores.

Surrounding a slice of kiwi fruit, rendered in stark black and white, strands of DNA float in space—one of them split, ready to be genetically modified.

At the center, a genetically altered kiwi slice radiates with psychedelic colors. Its vibrant hues depart strikingly from nature’s palette, and at its core, the fruit reveals the outline of France—as if intentionally designed through genetic engineering.

Through this striking visual, the French artist playfully expresses how deeply he has integrated into New Zealand culture—becoming a true Kiwi himself: both Kiwi and Wiwi (word for French in Te reo Maori).

 

Cultural currents

This painting symbolizes a connection between New Zealand (Kiwi) and France (Wiwi) through two traditional forms of transportation: the Waka, riding a powerful wave, and the hot air balloon, soaring through an energetic sky. Both are depicted in vibrant colors, full of life and movement.

In contrast, modern modes of transport—commercial cargo ships and airlines—are shown in stark black and white, representing their environmental impact and disconnect from nature.

The artwork invites us to reflect on our consumer-driven world and question how we might reduce pollution and move toward more conscious, sustainable ways of living.

Full moon at Puketi forest

This painting captures the serene beauty of the Puketi bush bathed in full moonlight, while also delivering a powerful message: we must understand the consequences of introducing non-native species into ecosystems unprepared for them. In this case, the spotlight falls on the overpopulation of possums.

The underbrush glows with vibrant hues, and the ripe fruits of the Karaka trees speak of nature’s abundance.

But beneath the canopy, a different story unfolds. Possums prowl, their black-and-white coats shimmering in the moonlight as they feast ravenously—devouring everything in their path and reproducing unchecked.

 

Whangaroa Harbour – Pohutukawa Reaching Out to Sea

This painting captures the enduring spirit and resilience of the Pohutukawa tree as it stretches toward the sea, defying the boundaries imposed by human development. The stark contrast between vibrant natural colours on either side of the composition is divided by the monochrome, constructed roadway—symbolising the unnatural separation between nature and urbanisation.

 

This visual tension is heightened by the looming threat posed to taller vehicles that must squeeze beneath the tree’s reaching limbs, underscoring the uneasy coexistence between nature and infrastructure. What might appear whimsical at first glance reveals a deeper commentary on the absurdity—and fragility—of this imbalance.

SOLD

Taratara rising aspiration

This painting is meant to inspire reflection and a call to action — a vision for transforming the landscape through renewed human interconnection with nature.

The lower half of the artwork, in black and white, depicts a gravel road flanked by dense, invasive pampas grass, symbolizing environmental degradation and imbalance.

Above, the upper half bursts into colour with the sunrise over Mount Taratara, representing hope and the potential for awakening. It invites us to become more conscious of the damage below and to seek change — restoring harmony between people and the natural world.

Matariki Tamariki

Matariki is a time for remembrance and whanau.

On the left side, rendered in black and white, a Māori koro is shown gradually losing his identity as his mind ascends toward the Matariki stars. The composition also blends and interchanges the letters of the words Matariki and Tamariki, showing his confusion.

In contrast, the right side of the painting is vibrant with colour, depicting the grandfather as a child — playing joyfully with his whanau in a river, with Mount Taratara rising in the background.

Tauranga beach sand tapestries

The painting is divided into two contrasting sides. On the left, the color side portrays a sand tapestry created by the retreating waves. Two gannets are seen fishing above Tauranga Bay, adding a sense of natural vitality. In contrast, the right side is rendered in black and white, showing a tractor pulling a boat, leaving behind large tire tracks that form a second, harsher tapestry on the sand. A hill in the background appears opaque, with smoke rising from the tractor.

Together, these opposing sides illustrate the duality between nature’s beauty and human intrusion—marked by pollution and disruption of the landscape.

Whangaroa harbour eclipse

Below the waterline, two beasts are painted as gods. The Māori proverb "Kaua e mate wheke, mate ururoa" translates to "Don't die like an octopus, die like a shark." It encourages resilience and determination—urging us to fight to the end like a shark, rather than give up passively like an octopus.

This painting, much like the proverb, reminds us to embody the spirit of the shark: to persist, even in the face of adversity. Our greatest challenge as humans is to restore Nature’s right to exist and thrive.

On the right side, rendered in black and white, we see the current human development: the hillsides covered with planted pine trees, meadows and large residential houses, and below them on the water front, a bustling sport fishing harbour filled with charter boats.

In contrast, the left side—painted in vibrant colour—shows the untouched beauty of New Zealand’s primal forest. Towering podocarp trees rise from the dense bush, and below lies a small, traditional Māori fishing village.

This painting offers a reflection: a perspective on human progress set against the richness of what Nature still has to offer.